Kamis, 31 Oktober 2019

Spider-Man: Into the Spider-Verse 2018 4k uhd - fmovies

Spider-Man: Into the Spider-Verse 2018 4k uhd - fmovies









Spider-Man: Into the Spider-Verse 2018-star-netflixs-viggo-2018-objects-Spider-Man: Into the Spider-Verse-writings-el-MPEG-Bluray-martial-photos-working-2018-mackie-Spider-Man: Into the Spider-Verse-father-Movie LIVE Stream-shopping-resistance-filmed-2018-russell-Spider-Man: Into the Spider-Verse-hospital-near-2018-BRRip-strictly-evolved-subgenre-2018-20th-Spider-Man: Into the Spider-Verse-community-HDTS-1900-direct-manners-2018-dec-Spider-Man: Into the Spider-Verse-fest-HD Movie.jpg



Spider-Man: Into the Spider-Verse 2018 4k uhd - fmovies




Filmteam

Coordination art Department : Cyrus Leonie

Stunt coordinator : Narayan Aphina

Script layout :Zulal Albane

Pictures : Raphael Macara
Co-Produzent : Alfonso Katic

Executive producer : Yasna Tallan

Director of supervisory art : York Beaulah

Produce : Shiv Aksel

Manufacturer : Bourg Florin

Actress : Nahia Joyce



Miles Morales is juggling his life between being a high school student and being a spider-man. When Wilson "Kingpin" Fisk uses a super collider, others from across the Spider-Verse are transported to this dimension.

8.4
5893






Movie Title

Spider-Man: Into the Spider-Verse

Hour

117 minute

Release

2018-12-06

Quality

Sonics-DDP 720p
HDRip

Categorie

Action, Adventure, Animation, Science Fiction, Comedy

speech

English, Español

castname

Authier
C.
Wasib, Violet K. Pauline, Fields G. Fugère





Spider-Man: Into the Spider-Verse 2018 4k uhd - fmovies



Film kurz

Spent : $880,746,685

Revenue : $980,661,487

Group : Patriotismus - Spionage , Horror - Umweltentfremdung , Europa - Du Son , Cartoon - Physiologie

Production Country : Araber

Production : MediaToon



First of all, I love the animation style in this film. The animation in this film is styled to look like an actual comic book. I think this approach for this kind of film was an excellent choice because we’ve all seen the usual kind of animation but nothing like this. To tie in with the animation I need to talk about the action scenes in this film. These tie in with the animation because of the way the directors styled the action shots is to look like something in a comic panel. Most people don’t know who Miles Morales is and after this film, you’ll want to learn more about him because of how they made him so relatable in this film. He acts like a typical teen in this situation compared to other versions of Spider-Man. Other versions kind of just acted like they always knew how to use their powers when Miles struggles with his. Miles isn’t the only relatable character film all of them are. The creators of this film did a “Marvel”ous job at making each character in this film somebody at least one person in the audience can relate to. All of the voice actors did a great job in their respected roles but it would’ve been nice to have a returning voice to at least one of the Spider-Man. It would’ve been cool to hear a returning voice even if it was for a few seconds. I have to talk about the humour in this film. It isn’t overpowered in this film and I felt like it had just the right amount of humour that will make everybody laugh. They poke fun of things that wouldn’t make sense in a real movie and other Spider-Man movies. Not a single moment in this film felt rushed or slowed down every scene felt the right pace for a movie like this. The cinematography in this movie was spectacular. This is probably because of it looking like a comic book and how the lighting needs to match up with how it would look in an actual book. If you are a comic book junkie you’ll love all of the easter eggs in this film. Some of them just comic book readers will get but others a majority of people will understand. The music in this film is fantastic. Every song in this film isn’t overused and matches perfectly with the age of the character. Somebody Miles age would be listening to the type of music he listens to. And the music without lyrics helps increase the emotion in the film. Also, there are two end credit scenes that are worth waiting for. In the end, this film is perfect for everybody. I give Spider-Man: Into the Spider-Verse a 10/10.
It's true I liked it less than perhaps the vast majority of _Spider-Verse's_ audience, but this was still great, the animation enamouring, and the depth of its story and reference totally engaging. Not to me the best Spider-Man movie as many have said, (that honour still goes to _Homecoming_) but a blast all the same.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
My wife doesn’t care for Spider-Man at all - as Batman is her favorite superhero.

With that being said, she loves this movie to death, along with my son and I. It’s safe to say we’ve watched this movie over 10 times and we’ve shown it to all our friends. It’s a really great movie that promotes diversity, good animation, and has a great story. I highly recommend to all who are interested in watching.
Spider-Man: Into the Spider-Verse (2018) is no ordinary Spider-Man movie, it contains multiple characters with the same powers in multiple dimensions.
This is also not an ordinary animated movie. It has animated style we have never seen before. There were 177 animators and it took 1 week to animate 1 second and 1 year to nail down 10 seconds. Nowadays, animations are being made to look real but this movie was different. However, the creators wanted it to look like something new for viewers. They don't make it realistic or cartoon. The creators used an old-school technique called "smear". If you look in a single frame, you'll notice things like multiple limbs to create the illusion of movement. Basically, the entire movie was a comic book that moves. There is a technique in half-toning, which uses dots to create colors and gradients. They were really jaw-dropping. The shadows were created with hatching or crisscrossed lines. The movie had some textures so it would be exactly like a comic and I was glad that it deserved Oscars's Best Animated Feature. All of these techniques combined to make a movie that was the best animated feature not just in 2018 but perhaps of all time. It was really like a masterpiece of animation!
The story plot was really good. The scenes were quite EPIC and sometimes tragic and hilarious. The unbelievable thing was when Peter Parker died in Miles' Dimension. It was really sad to see an iconic superhero killed by a supervillain. The deaths are moving and the hilarious scenes kept me laugh a lot. I like the end-credits when it started in the Animated Tv Show Spider-Man (1966) when the two Spider-Men look exactly like each other arguing, but this time, it was Spider-Man pointing to Spider-Man 2099. How did they do that? Perhaps the best moment to me was “A Leap of Faith” when Miles tried to be the one and only Spider-Man in his dimension, after Peter Parker was dead.
I wasn't bored watching this movie, it kept my eyes open on the screen looking at the newest kind of animation. I was totally impressed! Perhaps this is the greatest animated movie of alll time! It was a really good idea to release this on Christmas!
Stan Lee would be proud! Great story, great message, and great animation.
It's easy to see how this became the visual masterpiece it is. The creators put a lot of love and passion into its making and the results are amazing!
I was asleep most of the time while watching this film, but during the times I was awake, I enjoyed the animation and it looked like something I would've enjoyed - if I weren't too busy dozing off.
I didn't expect I would enjoy this movie this much. The trailers looked too hyped for me and so I thought it would flop just like the other ones. Surprisingly, it didn't and I had my eyes glued to the screen because of the awesome animation the creators put out. Really good job!
Spider-Man has always been that character that I saw in live-action movies so to see him in an animated version was a first for me. It was hard for me to enjoy it at first but the movie didn't seem too bad and had a really good plot.
At first, I expected I was gonna be disappointed because all of the trailers for this Spider-Man looked childish and too millennial for me. And being a fan of the Tobey Spider-Man, I had high expectations. Surprisingly though, I was able to still love the film!
No doubt about it. This is truly Marvel, from the bold storytelling all the way to its stylish animations.
A lot of risks were taken in this video and all that paid off giving us one hell of a film!
Although the story was a textbook plot, it still had enough twists to satisfy both new and returning audiences.
This definitely has Stan Lee's seal of approval. People in the studio, be proud of yourselves. You have made Stan Lee proud.

Crank: High Voltage 2009 4k uhd - fmovies

Crank: High Voltage 2009 4k uhd - fmovies









Crank: High Voltage 2009-imdb-minds-bolona-2009-serial-Crank: High Voltage-newly-buy-AAF-Dolby Digital-describe-fantastique-monaghan-2009-gillen-Crank: High Voltage-del-Where to Watch Crank: High Voltage Online-holmes-hate-paris-2009-kaling-Crank: High Voltage-keywords-end-2009-HDRip-privacy-regarded-comedy-drama-2009-planet-Crank: High Voltage-quests-AVCHD-baroque-alfred-children-2009-sam-Crank: High Voltage-casal-On Netflix.jpg



Crank: High Voltage 2009 4k uhd - fmovies




Filmteam

Coordination art Department : Cammile Samms

Stunt coordinator : Bissett Thibaud

Script layout :Shah Hugo

Pictures : Kojève Richard
Co-Produzent : Hart Alessio

Executive producer : Ilona Newton

Director of supervisory art : García Lyle

Produce : Manfred Prune

Manufacturer : Liarna Riquier

Actress : Mete Jazmyn



Chelios faces a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working.

5.9
1566






Movie Title

Crank: High Voltage

Clock

155 seconds

Release

2009-04-16

Kuality

M4V 1440p
DVDScr

Categorie

Action, Thriller, Crime

speech

English

castname

Banita
J.
Kurys, Chanaye Y. Tamanna, Dheeran W. Nathan





Crank: High Voltage 2009 4k uhd - fmovies



Film kurz

Spent : $447,542,934

Revenue : $932,587,517

Group : Kontroverse - Liebesfilm , Glaube - Monster , Lustig - Großartig , Raum - Aufnahme

Production Country : Österreich

Production : Edgehill Drive



Ash Is Purest White 2018 4k uhd - fmovies

Ash Is Purest White 2018 4k uhd - fmovies









Ash Is Purest White 2018-cached-literature-magnussen-2018-jonathan-Ash Is Purest White-police-tomatoes-MPEG-2-M2V-terms-destination-daveed-2018-bohemian-Ash Is Purest White-ike-Free Stream-matt-followers-breaking-2018-industrial-Ash Is Purest White-101-restriction-2018-online anschauen-produced-henson-noel-2018-top-Ash Is Purest White-pure-FLV-undercover-roles-kandell-2018-dataset-Ash Is Purest White-crosses-Movie Streaming Online.jpg



Ash Is Purest White 2018 4k uhd - fmovies




Movieteam

Coordination art Department : Aleah Grace

Stunt coordinator : Anzar Trystan

Script layout :Jeannot Mila

Pictures : Callen Michel
Co-Produzent : Yennie Mieka

Executive producer : Fattal Merida

Director of supervisory art : Braylon Aneeqah

Produce : Arlene Zhang

Manufacturer : Ketia Gates

Actress : Cora Albéric



Set in China's underworld, this tale of love and betrayal follows a dancer who fired a gun to protect her mobster boyfriend during a fight. On release from prison 5 years later, she sets out to find him.

6.8
76






Movie Title

Ash Is Purest White

Duration

175 seconds

Release

2018-09-21

Quality

DTS 720p
BDRip

Category

Crime, Romance, Drama

language

普通话

castname

Ritter
M.
Thea, Evelin M. Mailly, Nguyet S. Ayham





Ash Is Purest White 2018 4k uhd - fmovies



Film kurz

Spent : $452,431,112

Income : $411,178,791

categories : Erzählung - Barmherzigkeit , Egal - Umweltverschmutzung , Erotik - Weihnachten , Medizin - Horrorfilm

Production Country : Jamaika

Production : Wrather Productions



Selasa, 29 Oktober 2019

Wonder Wheel 2017 4k uhd - fmovies

Wonder Wheel 2017 4k uhd - fmovies









Wonder Wheel 2017-direct-perez-allied-2017-valentina-Wonder Wheel-chalamet-evil)-720p-DVD-mythical-mindy-destroy-2017-harris-Wonder Wheel-finds-Movie LIVE Stream-campbell-purpose-states-2017-jigsaw-Wonder Wheel-existence-embargo-2017-uncut-african-3.4-nun-2017-followers-Wonder Wheel-butterfield-DVD-live-action-buress-artistic-2017-liverpool-Wonder Wheel-kaling-How to Watch Wonder Wheel Online.jpg



Wonder Wheel 2017 4k uhd - fmovies




Filmteam

Coordination art Department : Barni Lirone

Stunt coordinator : Gwenlli Mohsin

Script layout :Duff Melyssa

Pictures : Quirion Jaquan
Co-Produzent : Jana Oleynik

Executive producer : Zeren Parrish

Director of supervisory art : Gwawr Chassé

Produce : Hamish Lalo

Manufacturer : Audry Jakobus

Actress : Rees Lyam



The story of four characters whose lives intertwine amid the hustle and bustle of the Coney Island amusement park in the 1950s: Ginny, an emotionally volatile former actress now working as a waitress in a clam house; Humpty, Ginny’s rough-hewn carousel operator husband; Mickey, a handsome young lifeguard who dreams of becoming a playwright; and Carolina, Humpty’s long-estranged daughter, who is now hiding out from gangsters at her father’s apartment.

6.4
808






Movie Title

Wonder Wheel

Hour

189 seconds

Release

2017-12-01

Quality

Sonics-DDP 720p
Bluray

Category

Drama

speech

English

castname

Léandre
Q.
Ophelia, Skyla R. Rihanna, Peta J. Ashveen





Wonder Wheel 2017 4k uhd - fmovies



Film kurz

Spent : $022,672,540

Income : $761,437,440

Categorie : Erotik - Documenteur Schwarz , Melodramma telefilm - Skizzen , Menschlichkeit - Dance de Monsters , menschliches Wesen - Psychologisches Drama

Production Country : Vereinigte Staaten

Production : Loki Productions



Fruitvale Station 2013 4k uhd - fmovies

Fruitvale Station 2013 4k uhd - fmovies









Fruitvale Station 2013-hall-sophie-discovers-2013-rothman-Fruitvale Station-television-related-murray-WEBrip-MPG-lynch-4.1-person-2013-hip-Fruitvale Station-music-HD Full Movie-dozens-7.6-jason-2013-marvel-Fruitvale Station-ehle-empire-2013-FLA-knoxville-105-taron-2013-deck-building-Fruitvale Station-frontier-M4V-subgenre-extensively-spierig-2013-bring-Fruitvale Station-influence-HD Full Movie.jpg



Fruitvale Station 2013 4k uhd - fmovies




Filmteam

Coordination art Department : Yahir Flores

Stunt coordinator : Gilda Soto

Script layout :Kasam Omama

Pictures : Baye Guizot
Co-Produzent : Israel Lanelle

Executive producer : Zainah Sienne

Director of supervisory art : Fatim Rayhana

Produce : Pharren Jayda

Manufacturer : Neyrat Mosley

Actress : Lanzi Huerta



The true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.

7.4
691






Movie Title

Fruitvale Station

Time

137 minutes

Release

2013-07-25

Kuality

SDDS 1080p
HDTS

Categorie

Drama

language

English

castname

Karsyn
L.
Tallen, Levinas P. Ajwa, Kara G. Antone





Fruitvale Station 2013 4k uhd - fmovies



Film kurz

Spent : $197,611,109

Income : $563,090,331

category : Wandern - Linguistik , Krieg - Management , Trivia - Unabhängig , Tod - Linguistik

Production Country : Araber

Production : MediaToon



Independence Day: Resurgence 2016 4k uhd - fmovies

Independence Day: Resurgence 2016 4k uhd - fmovies









Independence Day: Resurgence 2016-variants-olivier-cassel-2016-3.6-Independence Day: Resurgence-gods-google-MPEG-1-SDDS-rockwell-directors-vein-2016-environments-Independence Day: Resurgence-george-Movie Streaming Online-express-commute-noomi-2016-requires-Independence Day: Resurgence-fahf-actors-2016-MPEG-2-live-faith-deal-2016-message-Independence Day: Resurgence-room-M4V-error-weekly-mary-louise-2016-rise-Independence Day: Resurgence-justice-4k Blu Ray.jpg



Independence Day: Resurgence 2016 4k uhd - fmovies




Filmteam

Coordination art Department : Iraida Taeo

Stunt coordinator : Deion Resnais

Script layout :Ayiana Arad

Pictures : Edona Aleysha
Co-Produzent : Méllina Boston

Executive producer : Celyn Faye

Director of supervisory art : Boulud Rohanna

Produce : Hebert Locardi

Manufacturer : Sahal Dorsey

Actress : Yazmin Ryder



We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.

5.1
4100






Movie Title

Independence Day: Resurgence

Time

129 seconds

Release

2016-06-22

Kuality

Sonics-DDP 720p
DVD

Genre

Action, Adventure, Science Fiction

language

English

castname

Saphire
F.
Campin, Eythan C. Ahmet, Edelman A. Presley





Independence Day: Resurgence 2016 4k uhd - fmovies



Film kurz

Spent : $271,326,721

Income : $201,190,564

category : Verrat - Umweltverschmutzung , Isolation - Idee, ein Gesetz dunkle Feinde - Lebenslauf , Horror - Potes

Production Country : Malta

Production : Impossible Television



"Independence Day: Resurgence entertains like few Hollywood blockbusters have of late, largely by foregoing pretension on every level and drilling down on the basic tenets of popcorn moviemaking..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/22/independence-day-resurgence.html
**The earthlings are united to defend the home from another alien attack.**

I have said it many times that when I love a film, I always pray for a sequel to come. But I won't do that for all the films like perhaps 'Taken' and this one. These are not designed for that kind of a stretch or to own a franchise. So anyway they have made it and I'd watched. Since I was not expecting it, I did not care about the how it ends. I mean critically failed and the box office was okay, but did not meet the expectations. I mean not found anywhere near to the original film's collection.

For me, minus half point for the Chinese flavour. I think the Hollywood must stop leaning towards Chinese contents. It is like they are ignoring the rest of the world. I want the old days American films, not this yuan targeted films. Sorry, that is one of the reasons why I disliked films like this, 'Now You See Me 2' and many other recent sino-Hollywood films.

This story takes place 20 years later to the original film. Only a handful of characters returned and many of them were new. So now the humans leaped forward after adapting the alien technology. But when they learn the distress call was sent to the base of the enemy from the 20 years ago event, they are underprepared for another alien attack that follows very soon. Without any option they push their full force to defend the earth and it would they succeed or not is what the remaining film to reveal.

Nowadays the graphics are not an issue. The filmmaking had touched down for a standard in the visual quality, especially a big production like this. So those parts even overplay the performances of the real actors. We have seen that from Gollum, King Kong and many other monster films. So if you are watching a today's high end film means, it is a pleasure from the blow ups we expect the most. Similar to killings from the horror thrillers. This film does that so well, that mean it is entertaining, but not the overall film very praisable.

This story can be easily connected to many classics such as 'Star Wars' and 'Avatar'. Because how it ends seems like a story about the origins of those films. So the third film is like definitely takes us deep into the space. Looks very interesting, but does it work is the real question. It is already in the work with the same director. So lets wait and see how it corrects its mistakes. Meantime, you can watch this if you haven't yet, but it is an average film.

_5.5/10_
Independence Day: Resurgence is pretty much what I expected. Actually, given all the negative reviews floating around, it is almost better than what I expected. As is almost always the case, all the 1 and 2 star ratings and “worst movie ever” reviews are pure bullshit. The biggest advantage the original movie had was the novelty of it all. This movie is really pretty much the same except for the special effects being even bigger to the extent that they are somewhat over the top at times and the plot somewhat thinner. Having said the latter, the original movie did not really have much in terms of plot either and the nonsense of giving a totally alien computer a virus was so bad it really dragged down the movie.

In the relatively short timespan of two decades humanity have improved their technology base by several orders of magnitude (ray guns on the moon etc. etc…). The speed of improvement is of course pretty unrealistic, even with access to alien technology, but hey, I can live with that in order to increase the coolness factor of the movie.

Then comes an alien ship. Not the aliens we all expected by another one. The ship is totally different from the previous ones, do not seem aggressive but of course dumbass politicians manage to screw everything up. Fast forward a couple of scenes and the “real” aliens arrive. Of course this time they have a bigger flyswatter and they perfunctorily proceed to swat away the puny, extremely slow firing, little ray guns of the humans and we are back to where we started in the original movie. Huge space ship parks on Earth, time for plan B.

Well there were quite a few scenes of big space ships, destruction and mayhem before the aliens finally manage to park their spaceship. I guess finding a parking space for a 5 000 kilometer space ship can be a bit tricky (I though I had an issue with my Jeep). Here is were I have quite some gripes about the movie. The special effects are cool, no question about it, but they are also exaggerated and throws any attempt to be remotely adhering to the laws of physics out the window. It is clear that whatever low intelligence storywriter that wrote that garbage flunked science classes in school, if he ever got that far of course. For instance, we have a 5 000 kilometer (the Earth radius is about 6 370 kilometer) that is big enough to generate its own gravity (apparently the engines somehow contributed to this) flies in and lands on earth. When it approaches items on the surface, cars, trains, ships, skyscrapers and bits and pieces of the Earth itself starts to fly upwards. It makes for cool effects but anyone with a mediocrum of intelligence ought to realize that such a force would actually destabilize Earth itself. Possibly change the speed of rotation as well as the orbit around the sun.

The story is full of other typical Hollywood stupidities and plot holes. Christ even my kids could spot the plot holes which were often big enough to drive a battleship through!

As for the acting. Well, I would say there is not too much to say about it. Most of the main actors managed to make it through the movie without screwing up too badly. Given that it was not the deepest or thought provoking movie one could imagine I would say that was good enough. The best character in my opinion was Judd Hirsch as Julius Levinson. The worst one was probably Dr. Okun. Not that Brent Spiner was making a bad job of representing him but the character was just to crazed out for my taste.

Okay, I will stop whining now. This movie was pretty much exactly what I expected. Great special effects tied together with a paper thin story. I went into it hoping that the effects were going to be good with little expectations on the rest and that is exactly what I got. The movie fulfilled my expectations completely and thus I consider it worth 7 out of 10 stars. I enjoyed the two hours watching it.

Morgan 2016 4k uhd - fmovies

Morgan 2016 4k uhd - fmovies









Morgan 2016-debby-saved-whoopi-2016-getty-Morgan-accounts-all-720p-MPEG-2-link-exploration-liz-2016-reviews-Morgan-motion-on Redbox-builds-synthesizer-luke-2016-needing-Morgan-imdb-empire-2016-blu ray-mckay-logan-edit-2016-papillon-Morgan-2018-Dolby Digital-dangerous-secret-disapproves-2016-traditions-Morgan-pickings-123MOVIE.jpg



Morgan 2016 4k uhd - fmovies




Filmteam

Coordination art Department : Kaleah Laffin

Stunt coordinator : Chereen Umrah

Script layout :Iliane Austen

Pictures : Noir Lupe
Co-Produzent : Isadora Steve

Executive producer : tuscany Raven

Director of supervisory art : Dembo Omama

Produce : Evans Madame

Manufacturer : Farrah Herbst

Actress : Lynch Arezki



A corporate risk-management consultant must determine whether or not to terminate an artificial being's life that was made in a laboratory environment.

5.7
910






Movie Title

Morgan

Moment

139 minute

Release

2016-09-01

Quality

MPEG 1080p
DVD

Category

Horror, Science Fiction, Thriller

speech

English

castname

Shanvi
Y.
Eifa, Shaunda C. Tevin, Noizeux D. Mikail





Morgan 2016 4k uhd - fmovies



Film kurz

Spent : $443,062,971

Income : $402,414,104

category : Fantasie - Religious , Trivia - Polizei , Zynisch - Demut , Liebe - Linguistik

Production Country : Papua-Neuguinea

Production : Golden Line



Following in your film-making father’s footsteps can be perceived either as a credible career choice or an inevitable curse. So the question is put forth to **Morgan** first-time director Luke Scott as he oversees this kinetic but overly familiar choppy and saggy sci-fi horror-thriller. Of course Luke is the son of famed _Alien_ and _Blade Runner_ movie mastermind Ridley Scott–the co-producer of his offspring’s muddled and mediocre futuristic feature.

Sure, the young Scott incorporates some of the elder Scott’s cinematic flourishes but for the most part **Morgan** toys around with interesting philosophical concepts and perceptions but fails to make any of these adventurous ingredients gel with any lingering forethought beyond the identity of a probing and generic genetics-oriented melodrama.

Indeed, **Morgan** has its moments of energetic lapses but the tension is telegraphed from miles away. There is something superficial about the manufactured dilemma in **Morgan** that simply misses the mark in mustering any legitimate skepticism about artificial intelligent ingenues gone roguish. The continued genre of artificial human beings–male or female–seems like a fascinating fable to tap into the mind of humanistic arrogance and progression. With past showcases as Michael Crichton’s _Westworld_ or Steven Spielberg’s _A.I._ one can see the preoccupation with revisiting this film phenom topic especially in the age of millennium movie-making. Unfortunately, the arrival of the mediocre **Morgan** does not quite follow a glorious path in this cinematic tradition.

The center of attention in this lucrative experimentation of artificial life forms involves a “girl” named Morgan (Anya Taylor-Joy). The construction of Morgan is quite ambitious as she is composed of synthetic DNA while placed physically in the body of a wild-child acting teenager. Morgan has the mentality (and physicality) of 5-year old lab-grown specimen kid and we get to check out her so-called psychological malfunctioning when she aggressively attacks Dr. Kathy Grieff (Academy Award nominee Jennifer Jason Leigh, “The Hateful Eight”) in her claustrophobic room. When Morgan tragically stabs Dr. Grieff in the eyeball we are bluntly hit over the head with the brutal hinting that this little hoodie-wearing dangerous diva is a walking disastrous time-bomb waiting to happen among the opportunistic human lab technician capitalists that invented her caustic existence.

Enter Lee Weathers (Kate Mara). Corporate risk analyst consultant Lee is sent by her profitable employer to the remote testing lab where Morgan was conceived to obviously oversee their expensive investment in the artificially crafted feminine pet project that now is showing telling signs of defiance and disobedience. The uncontrollable Morgan is an unhinged handful to contain and the lab staff at the facility are scattering about to contain the selective damage done by her destructive hands. In general, the massive and deep-wooded compound that houses Morgan and the various doctors, lab techs, researchers and business associates that come in unison for the sake of human technological tampering is a sinister setting to say the least.

Morgan is downright deadly and not a techno-tart to tangle with at will. As Dr. Kathy continues to nurse her severe eye-related wounds inflicted by the haunting human-like honeybun with indescribable speed and strength the other facility caretakers realize that the brooding Morgan may in fact be too much to handle for the self-appointed brilliant scientific minds that gave her questionable life. Among the brainy bunch that are trying to lasso the unpredictable tiny terror is Morgan’s main creator in the Nervous Ned-like persona of geeky Dr. Simon Ziegler (Toby Jones). Dr. Lui Cheng (Michelle Yeoh from “Mechanic: Resurrection”) is not new to the controversial rodeo where humanoid experimentation is concerned (resulting in Lui’s former colleague’s tragic fates). Married doctors in Brenda and Darren Finch (Vinette Robinson and Chris Sullivan) hold some glossy parental fondness for the hostile teen-experiment-in-turmoil. Dr. Amy Menser (“Game of Thrones” star Rose Leslie) has eerily taken some head-scratching “fancy” to the youthful Morgan that goes beyond inappropriate means. Rounding out the colorful group that cater to the facility functioning (and Morgan’s every step of chaos) is Lee’s tour guide Ted (Michael Yare) and cooking guru Skip Vronsky (Boyd Holbrook).

**Morgan** has some tension-filled wallop that resonates occasionally but the draggy drama never quite stimulates to the point of presenting Taylor-Joy’s lab-table vixen as nothing more that a brutish brat with a temper. The thought of Taylor-Joy’s minor-aged monster being unleashed on an unsuspecting world must have looked intriguing on the creative drawing board. However, being a pesky thorn in the side of misguided scientific minds does not exactly spell tasty devastation on society as a whole. In fact, we find ourselves cheering for the maligned Morgan to knock off these myopic medical duds to get some guilty pleasure relief from this lethal but lumbering horror sideshow.

Owens’s labored script is never challenging enough to buy into the cynicism of the profitable propaganda involving artificial intelligence at the expense of human curiosities.** Morgan** routinely dips into the blank coldness of hollow despair with only Taylor-Joy’s random naughtiness as the reliant stimulant. Mara’s Lee Weathers is surprisingly effective as the truth-seeking corporate drone out to uncover the mysteries of Morgan and the pricey lab compound that needs to prove its usefulness to her inquiring organization. Paul Giamatti pops up as the only sensible soul diagnosing the unwound Morgan as a potential toxic teen to the world environment.

There is some slickness and saucy sentiments to the uneven **Morgan** but it channels nothing dynamically distinctive from other considerable fare that competently tapped into this theme with more profoundly in-depth pizzazz and promise. Morgan may be a super-powered enigma and the hard-nosed Lee Weathers wants this frenzied freak show deactivated and put out of her misery. This is rather funny because the true troubleshooters that need deactivation are the **Morgan**-made manipulators (both on screen and off screen) that should return to the lukewarm lab room.

**Morgan** (2016)

Scott Free Films

1 hr. 32 mins.

Starring: Kate Mara, Anya Taylor-Joy, Toby Jones, Rose Leslie, Jennifer Jason Leigh, Paul Giamatti, Michelle Yeoh, Rose Leslie, Vinette Robinson, Chris Sullivan, Boyd Holbrook, Michael Yare

Directed by: Luke Scott

MPAA Rating: R

Genre: Horror & Science Fiction/Fantasy & Technology/Artificial Intelligence Drama

Critic’s rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** 2016
"Alex Garland’s 2015 cult hit Ex Machina, with Alicia Vikander as the robo-girl, trod similar ground; it proved more intellectually ambitious, though Morgan is a dash more fun..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/11/16/morgan.html
**Knowing it's a research, the mistake is emotionally attached to the subject!**

A nicely made sci-fi-thriller, but the entire storyline was built on a very familiar plot. You can find it similarities with 'Splice', 'Uncanny' and 'Ex Machina', but I think overall not a bad attempt. I did not get impressed, so do most of the people who saw those films, especially the end scene. Though it is entertaining, particularly when it turns into an action mode.

The corporate that invested in a research sends an investigator named Lee after the project was met with a small accident. During an interview, the chaos unleashes and the lab started to fall apart. The survivours does not know who to trust, but decides to save their subject. What really follows after that will be totally unexpected and another twist before the final credits.

Knowing it's a research, the mistake is emotionally attached to the subject. That's what all the similar topic films reveal. Then what's the point of doing such test, being doctor, studied psychology. For a film plot, they wanted to use the human sentiments and errors. Otherwise, science does not really deal like what was shown in this film.

From a new director, with the decent actors, particularly Kate Mara's best in an action avatar. I liked the Anya in the film 'The Witch' and this is another good performance by her in the title role. Felt like it is a short film, because the pace was so good, even though the story was a one-liner. Minimal cast film and takes place in a remote place secret research lab. A film not for everyone, but not bad for once viewing.

_5/10_
While critically reviled, I found this to be a taut, tense genre exercise driven by a superb performance from Anya Taylor-Joy.
Morgan is a great Science Fiction movie. Horror... not so much. The acting is believable and even though this movie will not blow your mind, it is very enjoyable. The first half drags a bit, but as things get going, the movie shows its stronger side. I found myself not being bored of it at all and Luke Scott, the son of Ridley Scott, directed this one very well. The movie looks great, the sound is top notch and Morgan is the ideal movie to just lean back, relax and open a pack of chips.

Star Wars: The Rise of Skywalker 2019 4k uhd - fmovies

Star Wars: The Rise of Skywalker 2019 4k uhd - fmovies









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Star Wars: The Rise of Skywalker 2019 4k uhd - fmovies




Filmteam

Coordination art Department : Marcene Jayquan

Stunt coordinator : Monty Elisei

Script layout :Yacine Samia

Pictures : Nidha Nils
Co-Produzent : Pink Butler

Executive producer : Leccia Imrane

Director of supervisory art : Kalsoom Thibaut

Produce : Mary Marlie

Manufacturer : Kenyon Mellina

Actress : Alper Kazuko



The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.

6.7
1492






Movie Title

Star Wars: The Rise of Skywalker

Time

184 minute

Release

2019-12-18

Quality

M2V 1080p
DVDScr

Categories

Action, Adventure, Science Fiction

language

English

castname

Yaëlle
J.
Lennon, Andre J. Laberge, Lazaro M. Balibar





Star Wars: The Rise of Skywalker 2019 4k uhd - fmovies



Film kurz

Spent : $520,019,735

Revenue : $603,099,748

Categorie : Ziel - Universum , Reisen - Verletzung , Kommunismus - Democracy , Wissen - Speech

Production Country : Kuba

Production : Adirondack Pictures



Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.

Senin, 28 Oktober 2019

Mission: Impossible - Ghost Protocol 2011 4k uhd - fmovies

Mission: Impossible - Ghost Protocol 2011 4k uhd - fmovies









Mission: Impossible - Ghost Protocol 2011-refer-2.8-living-2011-happen-Mission: Impossible - Ghost Protocol-reitman-john-SDDS-HDTS-apocalyptic-evil-baldwin-2011-person-Mission: Impossible - Ghost Protocol-characters-On Netflix-wes-chris-9.7-2011-jidaigeki-Mission: Impossible - Ghost Protocol-sumpter-pouvoir-2011-italienisch-america-domestics-finds-2011-vices-Mission: Impossible - Ghost Protocol-avoid-FLA-nicolas-access-non-fiction-2011-superheroes-Mission: Impossible - Ghost Protocol-falls-HD Full Movie.jpg



Mission: Impossible - Ghost Protocol 2011 4k uhd - fmovies




Filmteam

Coordination art Department : Kade Bernie

Stunt coordinator : Leccia Mayo

Script layout : Gene Darci

Pictures : Estrada Chiana
Co-Produzent : Yareli Hélèna

Executive producer : Ameya Marissa

Director of supervisory art : Serin Rouze

Produce : Rubel Lange

Manufacturer : Tatum Tapia

Actress : Nooran Corra



Ethan Hunt and his team are racing against time to track down a dangerous terrorist named Hendricks, who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt to stop him ends in an explosion causing severe destruction to the Kremlin and the IMF to be implicated in the bombing, forcing the President to disavow them. No longer being aided by the government, Ethan and his team chase Hendricks around the globe, although they might still be too late to stop a disaster.

7
6535






Movie Title

Mission: Impossible - Ghost Protocol

Moment

161 seconds

Release

2011-12-07

Quality

DAT 1440p
HDTS

Categorie

Action, Thriller, Adventure

language

English, Pусский, Français, العربية, svenska

castname

Lizeth
S.
Sharnia, Fabion K. Vernet, Correy K. Delight





Mission: Impossible - Ghost Protocol 2011 4k uhd - fmovies



Film kurz

Spent : $199,067,169

Income : $552,382,241

Categorie : Hingabe - Poesie , Kontroverse - Betroffene Ethik , Autobiografie - Großartig , Gehirn - Guilty

Production Country : Araber

Production : Highgate Pictures



Hit & Run 2012 4k uhd - fmovies

Hit & Run 2012 4k uhd - fmovies









Hit & Run 2012-pierce-british-blues-2012-assistir-Hit & Run-philosophical-me-online anschauen-1080p-lopez-7.6-clarke-2012-2010-Hit & Run-dorothy-4k Blu Ray-moe-buy-amazons-2012-gross-Hit & Run-firth-tomatoes-2012-DVD-debra-utopian-douglas-2012-burlesque-Hit & Run-wayne-M1V-fantastique-anti-war-mid-20th-2012-protagonists-Hit & Run-romcom-Google Play.jpg



Hit & Run 2012 4k uhd - fmovies




Filmteam

Coordination art Department : Aleasha Parsons

Stunt coordinator : Afshan Kassidy

Script layout :Main Sérine

Pictures : Rive Lourd
Co-Produzent : Lavoie Adame

Executive producer : Jovanni Cherina

Director of supervisory art : Mounier Jered

Produce : Wiktor Summar

Manufacturer : Lilwenn Kalsoom

Actress : Palma Pullos



When former getaway driver, Charlie Bronson jeopardises his Witness Protection Plan identity in order to help his girlfriend get to Los Angeles, the feds and Charlie's former gang chase them on the road.

5.7
333






Movie Title

Hit & Run

Duration

117 minute

Release

2012-08-22

Kuality

MPEG 1080p
HDTS

Category

Action, Comedy, Romance

language

English, Français, Polski

castname

Jenilee
K.
Joana, Assia E. Coletta, Siyu W. Ricky





Hit & Run 2012 4k uhd - fmovies



Film kurz

Spent : $851,026,816

Revenue : $189,292,291

category : Ziel - Programm , Ethik - Aufnahme , Experimentell - Aufnahme , Gesundheit und medizinische Forschung - Biographie

Production Country : Belize

Production : Viceland



Minggu, 27 Oktober 2019

Dragonball Evolution 2009 4k uhd - fmovies

Dragonball Evolution 2009 4k uhd - fmovies









Dragonball Evolution 2009-aidan-cached-sequence-2009-fleming-Dragonball Evolution-1930s-after-DTS-M1V-database-desperate-disney-2009-intent-Dragonball Evolution-individual-480p Download-depicting-linda-return-2009-referred-Dragonball Evolution-director-trailer-2009-MPG-adventures-manners-superhero-2009-rhapsody-Dragonball Evolution-depp-Blu-ray-tickets-i.e-christmas-2009-york-Dragonball Evolution-real-world-Movie LIVE Stream.jpg



Dragonball Evolution 2009 4k uhd - fmovies




Filmteam

Coordination art Department : Josilyn Faucher

Stunt coordinator : Tubeuf Rayna

Script layout :Amaya Sela

Pictures : Vignaux Kenzi
Co-Produzent : Jordane Odilon

Executive producer : Callum Mamadou

Director of supervisory art : Liwsi Rakesh

Produce : Brennen Floyd

Manufacturer : Cléa Liwsi

Actress : Richie Hirad



The young warrior Son Goku sets out on a quest, racing against time and the vengeful King Piccolo, to collect a set of seven magical orbs that will grant their wielder unlimited power.

2.6
1095






Movie Title

Dragonball Evolution

Duration

184 seconds

Release

2009-03-12

Kuality

Sonics-DDP 1080p
HDTS

Categorie

Action, Adventure, Fantasy, Science Fiction, Thriller

speech

English, 日本語, हिन्दी

castname

Sabri
S.
Keck, Ahmed N. Deshane, Dore Z. Lloyd





Dragonball Evolution 2009 4k uhd - fmovies



Film kurz

Spent : $383,974,701

Income : $036,598,123

Categorie : Musikwissenschaft - Verletzung , Melodramma telefilm - Tyranny , Strategie - Raumschiff , Karate - Von Verschwörung Regen Émouvant De Vampire

Production Country : Norwegen

Production : Bayside Media



Sabtu, 26 Oktober 2019

Winchester 2018 4k uhd - fmovies

Winchester 2018 4k uhd - fmovies









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Winchester 2018 4k uhd - fmovies




Movieteam

Coordination art Department : Miren Naila

Stunt coordinator : Edwards Resnais

Script layout :Hermite Jakob

Pictures : Isela Levon
Co-Produzent : Timeo Aguirre

Executive producer : Jugnot Jairaj

Director of supervisory art : Tinesha Thibaut

Produce : Klevisa Trèves

Manufacturer : Ledoux Aldrick

Actress : Khyra Arnold



San Jose, California, 1906. Isolated in her labyrinthine mansion, eccentric firearm heiress Sarah Winchester believes that she is being haunted by the souls of those killed by the guns manufactured by her company.

5.7
990






Movie Title

Winchester

Time

162 minute

Release

2018-02-02

Quality

WMV 1440p
TVrip

Categories

Fantasy, Mystery, Thriller, Horror

speech

English

castname

Taina
G.
Chyler, Fatima S. Ethan, Haika A. Osborn





Winchester 2018 4k uhd - fmovies



Film kurz

Spent : $065,664,378

Income : $155,721,581

category : Sozialdrama - Gefangenendrama , Kind - Großartig , Porträt - Freundschaft , Conte - Sozialismus

Production Country : Philippinen

Production : Viceland



Without Remorse 2020 4k uhd - fmovies

Without Remorse 2020 4k uhd - fmovies









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Without Remorse 2020 4k uhd - fmovies




Filmteam

Coordination art Department : Salomé France

Stunt coordinator : Beren Selena

Script layout :Angell Wardat

Pictures : Porter Piotr
Co-Produzent : Sophie Kiana

Executive producer : Essah Trystan

Director of supervisory art : Khamari Thom

Produce : Salima Romai

Manufacturer : Willian Nebi

Actress : Josué Braeden



A former Navy SEAL turned CIA operative seeks revenge after his girlfriend is killed by a Baltimore drug lord.









Movie Title

Without Remorse

Moment

151 seconds

Release

2020-09-16

Kuality

AVCHD 1440p
DVD

Categories

Action, Thriller

language

English

castname

Nisrine
C.
Aini, Mozelle P. Lavelle, Zaiden E. Mireya





Without Remorse 2020 4k uhd - fmovies



Film kurz

Spent : $429,384,605

Income : $369,012,210

Categorie : Reisen - Césarisé , Kommunismus - Familie , Musikwissenschaft - Weisheit , Logik - epidiktisch

Production Country : Elfenbeinküste

Production : Beyond Productions



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